The Inside Track: Mixing VocalsMar 1, 2007, By Kevin Becka A well-mixed and -sung lyric is the emotional centerpiece of any song. But because of the complexity of pitch, tone, nuance and lyrics, vocals need the... Notes From the P&E WingFeb 1, 2007, By Mark Rubel If someone asks you what you do, you're likely to say, I make records, or I mix concerts. After all, it's a natural tendency for us to focus on external... Get Your Game OnFeb 1, 2007, By Paul D. Lehrman If you've been playing (or watching your kids playing) any new videogames recently, you've probably noticed that the soundtracks have become incredibly... Recording WildFeb 1, 2007, By Sarah Jones FIDDLERS ON THE ROOF Last year was my fourth year working as a research SCUBA diver in the U.S. Antarctic Program. I was also moonlighting as producer,... Breaking the RulesFeb 1, 2007, George Petersen Executive Editor History is filled with cases of inventions that either happened by accident or yielded results that were far from the original intent. In 1928, researcher... Virtual Instruments—Virtually ThereJan 1, 2007, By Paul D. Lehrman This month, I expect to be helping to cut the ribbon on a brand-new lab in a brand-new music building at my school. It will be equipped with a dozen Intel... Guitar DistortionJan 1, 2007, By Eddie Ciletti If you have ever felt that guitars are bullying the vocals and the drums, then it's time to take a closer look at those subtly subversive guitar multi-effects... The Inside Track: Mixing DrumsJan 1, 2007, By Kevin Becka Mix is proud to introduce a new article series for 2007: the Inside Track, a bi-monthly feature by Mix technical editor Kevin Becka that explores the...
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound