Adobe Audition

Apr 1, 2007, By Allan Metts

With roots as a shareware audio editor named Cool Edit Pro, Adobe's Audition has blossomed into a powerful workstation for audio editing and multitrack...

Bay Area Sound

Apr 1, 2007, By Blair Jackson

During the past several years, Marin County-based Bay Area Sound has quietly grown to become one of the leading independent game sound facilities in Northern...

Audio Middleware, Part 2

Apr 1, 2007, By Alexander Brandon

In the March 2007 column, I began my report on middleware game audio engines: what this software is, how to get it and its value as an essential cog in...

Studio D Recording

Apr 1, 2007, Compiled by Barbara Schultz

A couple of years ago, veteran engineer/producer/studio owner Joel Jaffe replaced the Amek board in Studio D Recording (www.studiodrecording.com, Sausalito,...

Track Sheet

Mar 1, 2007, Compiled by Barbara Schultz

SOUTHEAST For those who haven't heard, Cypress Moon Studios (Muscle Shoals, AL) is the new name of the facility formerly known as Muscle Shoals Sound....

Locked and Loaded

Mar 1, 2007, By Robert Hanson

It's no secret that the gaming world has changed by leaps and bounds over the past decade. We've all heard the comparison: With today's high-def consoles,...

Daniel Ho

Mar 1, 2007, By Blair Jackson

Though Daniel Ho has become very well-known in traditional Hawaiian music circles thanks to his co-production work and playing on last year's Grammy-winning...

The Noise in the Box

Mar 1, 2007, By Paul D. Lehrman

In last month's discussion about game audio, I focused on the challenges of making soundtracks for PC-based games. But PCs, of course, are only part of...

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | Next



Polls



TalkBack

Mix goes in-depth into the world of mastering. Tell us how mastering has helped your projects in the past. E-mail us at mixeditorial@mixonline.com.


This Month in Mix