Restoration 101

Dec 1, 2002, BY EDDIE CILETTI

The restoration engineer's idea of heaven is being provided with a collector's choice of record pressings and tapes, or, better yet, poring through a...

The LAST WALTZ: Recording, Mixing, and Remaking the Music

Sep 1, 2002, By Blair Jackson & Chris Michie

Acclaimed by many as the greatest rock concert film ever made, The Last Waltz director Martin Scorsese's riveting depiction of the Thanksgiving 1976 farewell...

THE CIRCLE REMAINS UNBROKEN

Jul 1, 2002, By Mark Waldrep

During the course of one week in the late summer of 1971, the Nitty Gritty Dirt Band and a who's who of Nashville's greatest pickers and singers made...

Mastering the Music: A Dark Art No More

Jul 1, 2002, By Bernie Grundman

The main thing that I notice about the time I've been in the mastering business is that the technology has gotten so much more diverse and complex. Early...

BOB MARLEY

Jun 1, 2002, By Blair Jackson

During his lifetime, Bob Marley was the undisputed King of Reggae, selling millions of records and becoming one of the most recognized musicians in the...

MASTERING FOR 5.1

Dec 1, 2001, By Paul Verna

Three top engineers share their views with Mix about the aesthetics, logistics and technical aspects of surround....

Scott Hull Mastering / Classic Sound

Oct 1, 2001

211 West 61st Street
New York, NY 10023
212/262-3300...

MASTERS AT WORK

Oct 1, 2001, BY GARY ESKOW

Remixing isn't the right term. When artists like Kenny Gonzalez and Louie Vega get their hands on a track, strip it of everything but vocals, and produce...

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