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Distributed in 94 countries, Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.

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GANGS of New YORK 

Dec 1, 2002, By Blair Jackson

Director Martin Scorsese is back on New York City's Mean Streets. No, it's not Little Italy, where much of the action in his critically lauded breakthrough...

ZOMBIE, CORPSES AND ADR, OH MY! 

Nov 1, 2002, COMPILED BY SARAH BENZULY

Widget Post (Culver City, Calif.) recently finished up a comprehensive sound package for Rob Zombie's gothic horror film, House of 1000 Corpses, in its...

SOUNDS OF NATURE 24/7 

Oct 1, 2002, COMPILED BY SARAH BENZULY

Last month, the CBC began to broadcast continuous natural soundscape recordings on its Galaxie pay-audio service channels. Eighteen of these recordings...

Paramount Scoring Stage M 

Oct 1, 2002, By Chris J. Walker

Despite an increasing number of productions going out of state and abroad, Southern California is still a filmmaking hub. When it comes to scoring, producers...

9/11: In Memoriam 

Sep 1, 2002, By Gary Eskow

Premiered on May 26, 2002, the HBO documentary In Memoriam: New York City, 9/11/01 recounts the events of that extraordinary day by intercutting interview...

Crime Scene Audio 

Sep 1, 2002, By James Careless

Clean, clear audio: It's central to the success of CBS' hit series, CSI: Crime Scene Investigation. Without clear audio, the complex CSI plot line would...

Foley Goes to Sea 

Aug 1, 2002, By Michael Axinn

The sonar ping of a submarine is something of a staple in the annals of film sound, one that any filmgoer can summon on command from the collective memory...

Minority Report 

Jul 1, 2002, by Michael Axinn

After working on five Steven Spielberg films, three of which have garnered Academy Awards for sound effects editing, sound designer Gary Rydstrom and...

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