FixItNov 1, 2003 Mark Frink is k.d. lang's monitor engineer and Mix's sound reinforcement editor. Here are some quick fixes for onstage sound: Try placing sidefills low... On the RoadNov 1, 2003 For more than a decade, Reverend Horton Heat (aka Jim Heath), the high priest of psychobilly drama and musical excess, has ripped up the nation's highways, bringing his music to the faithful with the help of bass-slapping “Jimbo”... The Changing Face of Theater SoundOct 1, 2003, By Steve LaCerra After working for more than 20 years in theatrical sound design, Janet Kalas has seen and heard her fair share of productions.... On the Road: Tony BlancOct 1, 2003 Recognized for his work with David Bowie and Mick Jagger, Tony Blanc is on the road these days at FOH with Christina Aguilera.... FixIt: Jim YakabuskiOct 1, 2003 Known for his seven years as FOH for Van Halen, Jim Yakabuski has recently worked for Avril Lavigne and Matchbox Twenty.... FixItSep 1, 2003 As the FOH mixer for acts such as Bon Jovi, Enrique Iglesias, John Mellencamp and Sheryl Crow, Dave Eisenhauer knows about dealing with noise levels created by cheering fans.... BSS FDS-366 OmniDrive Compact PlusAug 1, 2003, By Mark Frink I carry my Technomad ProRack to every one-off. It contains three key pieces of audio gear that I don't feel comfortable without: The Midas XL-42 (reviewed in Mix, March '02) is a piece of the rock — a chip off of the old block — that gives me the same great mic pre and EQ found on an XL4 console; the new TC Electronic Reverb 4000 (reviewed in this issue, see page 104), which replaces my trusty old M5000; and the BSS FDS-366 OmniDrive Compact Plus.... FixItAug 1, 2003 Grammy Award Most Popularadvertisement PollsTalkBack
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound