FixIt: Kevin GlendinningAug 1, 2005 You can create happiness for the musicians onstage by using what already exists in your environment. Before deciding where to set stage levels, listen... Making the Wedgeless TransitionAug 1, 2005, By Mark Frink For many touring artists, making the switch to an in-ear monitoring system or in-ears alone rather than relying on wedges can be daunting. Fears such... The Fabulous Commodore Ballroom Turns 75Jul 1, 2005, By Tim Moshansky There's no mistaking the Commodore vibe. From the neon sign over the tiled entrance, up the winding staircase and into the second-story ballroom in Vancouver,... All You Need Is In-EarsJul 1, 2005, By George Petersen A quarter-century ago, Marty Garcia had a vision of a different way of stage monitoring, where artists would wear earpieces carrying a personal monitor... Venue Acoustics From the Ground-UpJun 1, 2005, By Sarah Benzuly When it comes to acoustically treating a new live performance venue, selecting the correct P.A. is of prime importance. However, the P.A. does not work... FixItJun 1, 2005 Philip Harvey In addition to being front-of-house engineer for the Secret Machines, Philip Harvey recorded the six-week tour using a 24-track Metric Halo... Technology Breakthroughs In Concert SoundMay 1, 2005, By Mark Frink Many of today's high-tech products have complicated our lives and have made decisions regarding inventory an endless nightmare of guesswork, yet it's... Tour Profile: Motley CrueMay 1, 2005, By Sarah Benzuly Only Motley Crue could pull something off like this for more than two hours without a support act and playing just about every night: deafening pyrotechnic... Most Popularadvertisement PollsTalkBack
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound