FixIt: Pete Robertson
May 1, 2006 12:00 PM
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This Month in Mix
Coheed & Cambria's front-of-house engineer Pete Robertson recently made the switch to putting the majority of the band on in-ears, as well as finding the right gain in a Sennheiser 945 mic. Robertson also owns Woodstock Wired, a studio design business.
I found that, starting out with another mic, I was driving it quite harshly and getting a lot more noise out of the board. Now, I'm not driving the mic amps as hard to get as much gain as I need, especially with Claudio [Sanchez], our lead singer. He's got a very youthful voice — very soft, very high-pitched. Because he doesn't push a lot of air with his vocals, the high gain of the 945 is very helpful. I have also put each of the four main members on Sennheiser EW 300 IEM G2 personal monitors. I remember one day taking my SPL meter up onstage as they were performing. With vocals through the monitors, sidefills and each musician with two 15-inch boxes in front of them, plus a drumfill, we had a volume of about 108 dB, A-weighted, onstage. The only musician on a wedge now is Dave Parker on keyboards.
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95






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