All-Around Good Tips
Oct 19, 2007 3:53 PM
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Understanding Bass Management
With Bob Hodas, November 20th
Brought to you by Ex'pression College for Digital Arts and Mix
Bob Hodas explores best practices for Bass Management in your studio, explaining how to set up a bass managed system, what features to look for in a Bass Management box and much more.
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Mastering Stories
Our December issue will focus on mastering. We'd like to hear from mastering engineersÑtell us about your most interesting mastering project. E-mail us at mixeditorial@mixonline.com.
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Avid Presents: Remix Hotel Los Angeles| Dec. 4-6, 2008 |
Hot off an incredibly successful event in Atlanta, Remix Hotel is gearing up for its final event in 2008: Remix Hotel Los Angeles. We're busy putting together a killer weekend of panels, production and more. Keep it tuned to remixhotel.com for registration and schedule details, and be sure to check out all of the amazing videos from Atlanta and New York! .
This Month in Mix
It's all about making everything fit into the spectrum of frequencies. If you subtract something from one instrument, it might be wise to add it to another. For instance, if I take the upper mids out of a guitar so it won't thrash your ears as much, I'll add the same back to the cello. The cello produces a lot of low end anyway, so that just makes it come out more.
—Adam Fisher
The supercardioid 105 capsule is not for everyone. It depends on the artist and the situation. What helps with Mary is that the drummer is on a second level above her and everybody is on ears, so there are no amps onstage. I have two wedges, and that's it. It's a quiet stage, and she's got so much energy we don't worry about her not giving us enough level. I'm actually turning her down! I have three combiners, as I'm using a total of nine units. It's a beautiful thing that they have power, as well. There's one AC cord and it powers four units. I do my [frequency] research by going to the Sennheiser Website [to] see what's going on in the area we're visiting. It's becoming harder and harder to find usable frequencies. But recently, I've been using what was pre-selected on all the units, and it's working out pretty good.
—Ramon Morales
The most useful tip I can offer is to keep the lines of communication open with all of the audio departments, including the band. By having positive communication with the band, the source sound can be controlled. On the Nelly Furtado tour, I have been blessed with a phenomenal crew, one that can get all that closer to a great sound. You never know who can supply a great tip to make the show all that much better. If you do not have a crew, make sure that the relationship between the FOH and monitor operator is positive and open. This can make the most difficult of gigs more pleasant.
—Jeffrey Luge Holdip
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Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. 