Field Test: Yamaha HS50M Monitor and HS10W SubwooferApr 1, 2006, By Michael Cooper When Yamaha discontinued production of its venerable NS-10M studio monitor due to unavailable parts, mix engineers worldwide were left with a dilemma:... Field Test: Euphonix MC Controller, System 5-MC ConsoleApr 1, 2006, By Barry Rudolph The Euphonix MC Media Application Controller and System 5-MC represent the company's vision of the future of audio/video production. The goal is to provide... Field Test: M-Audio ProjectMix I/O Interface/ControllerApr 1, 2006, By Jason Scott Alexander With more professional music being produced at home than ever before, the integrated control surface/audio interface market seems to be heating up. Sharing... Field Test: Studer Vista 8 Digital Mixing SystemApr 1, 2006, By Steve La Cerra No engineer can deny that digital mixing consoles make life easier. Recall of every parameter, built-in dynamics and comprehensive automation are functions... Fairlight AnthemApr 1, 2006, By Ed Cherney At last year's AES show in New York City, I stumbled across the Fairlight booth and saw the Anthem Dream, the company's new digital console. Yeah, just... Field Test: DPA 4091 Condenser MicrophoneApr 1, 2006, By Kevin Becka DPA is a major player in the small-capsule mic market. The company's 4060 and 4061 miniature mics are ubiquitous in broadcast, Broadway and beyond. The... SynchroArts VocALignApr 1, 2006, By Helen Luttrell and Mike Hopkins An award-winning software plug-in and stand-alone application for Windows and Mac OS 8/9/X, SynchroArts' VocALign can automatically synchronize two audio... Field Test: Soundelux E47C Cardioid Condenser MicMar 1, 2006, By Barry Rudolph Large-diaphragm condenser microphones such as the Telefunken ELAM 251, AKG C-12 and Neumann U47 are practically legendary: They captured many of the quintessential...
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound