Field Test: Royer R-122V Tube Ribbon MicJun 1, 2006, By Kevin Becka At the past five or so AES shows, Royer's booth featured a mic with a larger-than-normal gold body. It was introduced as the company's one-off tube ribbon... Field Test: Buzz Audio MA 2.2 TX Class-A Mic PreJun 1, 2006, By Michael Cooper Buzz Audio might not be a familiar name to recording engineers in the U.S., but the New Zealand based pro audio manufacturer has been cranking out high-end... Field Test: Celemony Melodyne 3 Audio Editing SoftwareJun 1, 2006, By Jim Aikin If you need to edit audio as flexibly as you edit MIDI, you're going to love Celemony's Melodyne. It can correct the pitch of vocals with surgical accuracy,... Field Test: A-Designs Audio Pacifica Microphone PreampJun 1, 2006, BY JOE HANNIGAN For recording engineers who are in a retro state of mind, A-Designs Audio has created a stereo preamp that emulates the tonal character and quality of... Field Test: BIAS Peak Pro XT 5 BundleMay 1, 2006, By Jason Scott Alexander BIAS Peak has established itself as a top stereo audio editing and mastering application on the Mac for many years. Five generations in, a host of new... JazzMutant Lemur Control SurfaceMay 1, 2006, By Jim Aikin Whether you're mixing or performing, a hardware control surface is a wonderful thing. But hardware is not flexible. Hardware that could magically morph... Field Test: Digidesign Pro Tools HD 7 SoftwareMay 1, 2006, By Barry Rudolph Pro Tools HD 7 (Mac OS X and Windows XP) is an elegant and refined workstation upgrade that combines greatly enhanced processing capabilities with tighter... Field Test: Focusrite Saffire FireWire Audio InterfaceMay 1, 2006, By Jason Scott Alexander Focusrite has extended its reach into the DAW I/O market with a 410, 24-bit/192kHz interface featuring dual-classic Focusrite preamp paths, hardware-side...
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