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Field Test: Sony PCM-D1 Handheld Recorder 

Jul 1, 2006, By Rick Spence

Sony's strong background in broadcast is showing in a handsome field recorder that will please ENG pros and recording folks alike. The Sony PCM-D1 portable...

Field Test: IK Multimedia Classik Studio Reverb 

Jul 1, 2006, By Barry Rudolph

From Modena, Italy, comes IK Multimedia's Classik Studio Reverb, or CSR plug-in bundle. This is a solid collection of four reverbs that every music mixer,...

Field Test: Algorithmix reNOVAtor Spectral Editor 

Jul 1, 2006, By Joe Hannigan

ReNOVAtor is one of five programs in a suite of serious audio restoration/mastering tools from Algorithmix. (The others are ScratchFree, NoiseFree, LinearPhase...

Field Test: Waves MaxxBCL Signal Processor 

Jul 1, 2006, By Kevin Becka

Although Waves is mainly considered to be a software company, it has occasionally released hardware that has been well-received in the industry, such...

Field Test: Eventide H7600 Ultra-Harmonizer Processor 

Jul 1, 2006, By Barry Rudolph

Eventide, one of the founding companies of digital audio effects for professionals, has introduced the 24-bit/96kHz H7600 Ultra-Harmonizer effects processor....

Field Test: Lynx Studio Technology Aurora 16 

Jun 1, 2006, By K.K. Proffitt

Combining flexibility with its moderate price ($3,295 list) and high-quality AD/DA conversion, the Lynx Aurora continues the traditions of a company known...

Correction 

Jun 1, 2006

In last month's DPA 4091 Field Test, Fred Aldous used the Holophone to capture Super Bowl XXXIX and not NASCAR. Mix regrets the error....

Field Test: TC-Helicon VoicePro Voice Processor 

Jun 1, 2006, By Michael Cooper

The best gear is often focused on a specific design goal instead of trying to handle every task imaginable. To that end, the TC-Helicon VoicePro was deliberately...

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