Field Test: Tascam DM-3200 Digital Mixing ConsoleOct 1, 2006, By Steve La Cerra With the DM-3200, Tascam clearly demonstrates how far digital audio has come in the past few years. The DM-3200 incorporates a 48-channel audio mixer... Field Test: Focusrite Liquid Mix EQ/CompressorOct 1, 2006, By Barry Rudolph The same patented Dynamic Convolution emulation technology developed by Sintefex Ltd. for Focusrite's popular Liquid Channel processor appears in Liquid... Field Test: RND Dynam-izer Compression Plug-InOct 1, 2006, By Barry Rudolph Dynam-izer is one of six new plug-ins from Roger Nichols Digital (RND), which now acts as the exclusive distributor and licensee of Elemental Audio products,... Field Test: JBL LSR4328P Self-Powered MonitorsOct 1, 2006, By Bobby Frasier While speaker systems continue to provide more accurate reproduction as technology evolves, one element remains the same: physics. A great speaker in... Field Test: Korby Kat 4 Tube Microphone SystemOct 1, 2006, By Kevin Becka In the auto world, a convertible means the ability to pop the top and have some fun, and it's no different in the mic world. Boutique microphone company... Field Test: AMS Neve 8816 162 Summing MixerSep 1, 2006, By Barry Rudolph Newest in AMS Neve's 88 Series outboard line is the long-awaited 8816 162 summing mixer. But summing mixer is a misnomer because in addition to 16 mixer... Field Test: Native Instruments Kore Plug-In HostSep 1, 2006, By Jim Aikin A music system that integrates hardware and software can be a beautiful thing. The components in Kore are not a radical innovation, but Native Instruments... Field Test: Cakewalk SONAR 5 Producer EditionSep 1, 2006, By Tony Nunes It was just two years ago when Cakewalk released SONAR 4 to rave reviews. SONAR 4 concentrated heavily on surround, boasted a 32-bit audio engine and...
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