Ableton Live 1.5Sep 1, 2002, BY LAURA PALLANCK Ableton really did its homework when it came out with its loop sequencer Live. The program was designed as a real-time performance tool to play samples,... Digidesign Pro Tools|HDSep 1, 2002, BY MICHAEL DENTEN AND ERIK HAWKINS By now, you've probably heard of the new Pro Tools|HD system (the HD stands for High Definition) from Digidesign. There has certainly been enough talk... Cakewalk Sonar 2.0Sep 1, 2002, BY DAVE HILL JR. In case you missed it, the battle over software supremacy just got a little hotter. Both Emagic and Steinberg have upped the ante in releasing bold new... Shure ULX Wireless SystemSep 1, 2002, BY MARK FRINK Long before Shure entered the wireless market, concert engineers specified cordless mics with SM58 or SM87 capsules. Since introducing its own UHF system... Universal Audio 2108Sep 1, 2002, BY BARRY RUDOLPH The whole look, feel, vibe and sound of the Universal Audio 2108 Dual Mic/Instrument Preamplifier say to me. Maybe it's the black-anodized front, no-nonsense... Tascam US-428 Computer Controller/InterfaceAug 1, 2002, BY GEORGE PETERSEN Tascam's US-428 is a multipurpose unit combining onboard 16/24-bit converters (44.1 or 48 kHz), audio-to-USB conversion, a MIDI interface and a mix control... AlterMedia Studio Suite 5Aug 1, 2002, BY ANDREA ROTONDO HOSPIDOR When Mix magazine called to ask if I'd like to test-drive AlterMedia's Studio Suite Version 5 studio-management software, I jumped at the chance. For... SPL KultubeAug 1, 2002, BY BARRY RUDOLPH New equipment from Sound Performance Lab is always worth checking out, as the company always offers unique approaches to complex audio processing with...
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