Chandler Limited TG1 

Feb 1, 2003, BY BARRY RUDOLPH

With its style and sound, the Chandler Limited TG1 seems to be from another age plucked from a time capsule. This stereo limiter/compressor is based on...

Field Test: Akai Professional DPS24 

Jan 1, 2003, BY BARRY RUDOLPH

Akai Professional's DPS24 builds on the company's DPS12 and DPS16 workstations with a lot of genetic material borrowed from its high-end post-production...

Field Test: Lynx L22 PCI Audio Card 

Jan 1, 2003, BY DANIEL KELLER

For high-end applications, conventional wisdom has always dictated that an installed interface simply can't approach stand-alone converters' sonic performances....

Field Test: EarQ Technologies Reference Hearing Analyzer 

Jan 1, 2003, BY MARK FRINK

The conventional method of determining the truth about your hearing is to take a hearing test. Unfortunately, most standard hearing exams require both an office visit to an audiologist or physician and the ability to directly confront the fear of the unknown. The EarQ Hearing Analyzer is a personal hearing self-test application that functions on most desktop and laptop PCs....

Auditions: Snapshot Product Reviews 

Jan 1, 2003

MILLENNIA LPE-2 ANALOG LEGACY Archival Playback Equalizer It's rare, but every now and then, someone makes something totally from the heart, out of a...

Power Tools: Waves Restoration Bundle 

Jan 1, 2003, BY NICK BATZSDORF

Waves' Restoration Bundle is a collection of four DSP plug-ins that is notable both for its quality and its ease of use; the processors do their work...

Field Test: Antares Kantos Plug-In 

Jan 1, 2003, BY ERIK HAWKINS

From the company that brought us Auto-Tune and Mic Modeler comes a brand-new mind-warping, sound-bending plug-in, Kantos. The basic function of this sci-fi-looking...

Dynaudio Acoustics AIR 6 

Dec 1, 2002, BY GEORGE PETERSEN

It's often said that there's nothing new in studio monitors. Even with today's improved driver materials, high-efficiency amps and CAD-derived enclosures,...

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Avid Presents: Remix Hotel Los Angeles| Dec. 4-6, 2008

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