Field Test: Steinberg Cubase 4 DAWJan 1, 2007, By Jim Aikin Cubase has been a studio mainstay for close to 20 years now. Although it may not be the front-running application on either the Mac or the PC, Steinberg's... Snapshot Product ReviewsJan 1, 2007 AVANT ELECTRONICS MIXCUBES Mini Reference Monitors During the '70s, '80s and into the 1990s, Auratone 5C Sound Cubes were pretty much required in every... Field Test: Waves Tune Pitch-Correction Plug-InJan 1, 2007, By Barry Rudolph One of five plug-in processors in the new Waves Vocal Bundle (which also includes DeBreath, Renaissance DeEsser, Renaissance Channel Strip and Waves Doubler),... Field Test: API A2D Dual Microphone PreampJan 1, 2007, By Bobby G. Frasier The A2D dual mic preamp from API is the company's first foray into the digital realm, melding tried-and-true analog technology with two channels of A/D... Field Test: Ableton Live 6 Performance-Oriented DAWJan 1, 2007, By Jim Aikin It's not boring, but it's become quite predictable: Every new version of Ableton Live boosts the feature list to a new level. That was true when I reviewed... Field Test: Mojave MA-200 Tube Condenser MicrophoneDec 1, 2006, By Kevin Becka A few trade shows ago, I had a meeting with David Royer and John Jennings in the Royer booth and saw a work in progress the large-capsule MA-200 cardioid... Field Test: Sony Cinescore Soundtrack SoftwareDec 1, 2006, By Rick Spence Cinescore from Sony Media Software helps both musicians and non-musicians quickly create music, stingers and effects for video and other projects. One... Field Test: Rupert Neve Portico 5032 Mic Pre/EQDec 1, 2006, By Barry Rudolph One of the four half-rackspace modules offered in Rupert Neve's expanding Portico Series is the 5032 Mic Pre/EQ. Like all of the Portico gear, the 5032...
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound