Field Test: Tascam FW-1884 Control Surface/Interface 

May 1, 2004, By Nick Batzdorf

A control surface/FireWire audio/MIDI interface describes most of what Tascam's FW-1884 does, but there wouldn't be enough space on the box if the product name were to paint the whole picture of its functions....

Field Test: Trident S40 Single-Channel Strip 

May 1, 2004, By Barry Rudolph

With its signature black-anodized front panel, colored aluminum knobs and small rectangular push buttons, the S40 is clearly the progeny of Trident's Series 80 and TSM consoles....

Field Test: Neumann TLM 127 Condenser Microphone 

Apr 1, 2004, By Barry Rudolph

The TLM 127 is the latest FET 100 Series mic in Neumann's transformerless microphone line (TLM). Available in either black matte or Neumann's trademark nickel finish, the side-address TLM 127 starts out with the K 127 large dual-diaphragm capsule, which is based on the K 103 used in the TLM 103....

Snapshot Product Reviews 

Apr 1, 2004

BLUE MICROPHONES THE BALL
Phantom-Powered Dynamic Mic

You can't really accuse Blue's mics of blending into the woodwork. Apart from being a 4-inch plastic sphere, The Ball is a phantom-powered dynamic model....

Field Test: Sony DMX-P01 24-bit/96k Mixer 

Apr 1, 2004, By Rick Spence

Sony is no stranger to video production. In fact, Sony has the whole signal production chain pretty much covered....

Field Test: Thermionic Culture The Phoenix Compressor 

Apr 1, 2004, By Michael Cooper

Thermionic Culture's The Phoenix is a pretty rare bird. It's a variable-mu tube compressor — the first type of compressor ever made....

Field Test: Merging Technologies Pyramix 4.2 Workstation 

Apr 1, 2004, By K. K. Proffitt

A solitary triangle in one of Michael Bishop's excellent recordings convinced me that DSD offered a clarity that I didn't hear in my 48kHz PCM work....

Field Test: Genelec 7070A Active Subwoofer 

Apr 1, 2004, By George Petersen

When Genelec introduced its 7000 Series of active subwoofers, I was intrigued by these systems, which not only provide solid, below 20Hz LF reproduction, but also offer 6.1 bass-management capability and flexible acoustical tweaks to make the system work in nearly any listening space....

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