Field Test: Royer Labs SF-24 Stereo Ribbon MicSep 1, 2004, By Kevin Becka What's better than a stereo ribbon microphone? In the case of the new Royer SF-24, the answer is a stereo ribbon microphone with plenty of output gain... Field Test: Bag End INFRASUB-12 Pro Powered SubwooferSep 1, 2004, By Joe Hannigan Bag End has been making speakers and subwoofers for nearly three decades, creating its first sub in 1986 that went down to 30 Hz and then building an... Field Test: Tannoy Ellipse 10 Studio MonitorsAug 1, 2004, By Barry Rudolph Tannoy's Ellipse 10 monitors make bold statements on many levels beyond their futuristic-looking yet functional cabinet styling. The three-way powered... Field Test: Electro-Harmonix NY-2A Tube CompressorAug 1, 2004, By Eddie Ciletti The Electro-Harmonix NY-2A vacuum tube compressor/limiter is impressive. Inside this $2,995 stereo unit is a mix of modern, retro and audiophile parts,... Field Test: Crane Song Ibis EQAug 1, 2004, By Michael Cooper The discrete, Class-A, solid-state Crane Song Ibis ($4,500 list) embodies a new approach to the equalizer's time-honored user interface and feature set.... Snapshot Product ReviewsAug 1, 2004 NEUMANN BCM 104 Side-Address Broadcast Mic The death grip that the RE20 and RE27 N/D have on the radio and TV station announce market is legendary. Neumann's... Field Test: Princeton Digital/Eventide Reverb 2016Aug 1, 2004, By Kevin Becka Designed by Tony Agnello, the Eventide original SP2016 digital reverb was stellar for its day. The name referred to SP for signal processor and 2016 for... Field Test: Voxengo Pristine Space Reverb Plug-InAug 1, 2004, By Barry Rudolph Voxengo's Pristine Space (MSRP: $139) is an 8-channel, native PC VST convolution reverb plug-in with extensive routing capabilities and several latency...
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