Snapshot Product ReviewsOct 1, 2004 RANDALL RM4 AND RT2/50 Guitar Tube Preamp/Amplifier Getting a great guitar sound is all about tone, and the amp is a major part of that. We've seen all... Field Test: MOTU MachFive Software SamplerOct 1, 2004, By Michael Cooper Until recently, Native Instruments' Kontakt, Apple/Logic's EXS-24 and Tascam's GigaStudio have arguably led the market for software-based samplers. Now,... NHT Xd Series SpeakersOct 1, 2004, BY GEORGE PETERSEN NHT has long been known as an innovative company that set its own destiny, often doing things differently. One such example is the company's acclaimed... Field Test: Genelec 8050A Reference MonitorsOct 1, 2004, By Kevin Becka Genelec Messes With Success! was the headline I envisioned when I heard that the Finnish company was attempting a major redo of its ubiquitous studio... Field Test: Nautilus NEMO DMC-8 Monitor ControllerOct 1, 2004, By Erik Zobler Mastering engineer John Vestman is often asked, How do I make my mixes sound better? The answer could easily fill a book, but Vestman's initial reply... Field Test: AKG C414B-XLS and C414B-XL II MicrophonesSep 1, 2004, By Barry Rudolph Since 1971, the original C 414 Comb's birth date, AKG has upgraded, optimized and improved this studio standard's specs and feature set when better electronic... Field Test: Chandler Ltd./Abbey Road Passive TG ChannelSep 1, 2004, By Barry Rudolph The Chandler and Abbey Road crews have created another collectable classic, the Passive TG Channel. The single-rackspace unit contains a mic preamp and... Field Test: M-Audio Octane Mic Preamp, A/D ConverterSep 1, 2004, By Nick Batzdorf The world is full of sound cards and other digital Lightpipe-capable devices waiting to be unlocked to the analog realm. M-Audio has answered that need...
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound