Mackie HDR24/96 and MDR24/96Mar 1, 2005, By Mike Rivers It's hard to believe, but Mackie's HDR24/96 hard disk recorder/editor has been with us for more than four years; the bargain-priced MDR24/96 (same guts... Field Test: Tascam US-2400 ControllerMar 1, 2005, By Nick Batzdorf Using a console is almost like playing an instrument, and it takes a healthy number of faders to bring that feeling to a DAW. Tascam equipped its flagship... Field Test: Manifold Labs Plugzilla Plug-In PlayerMar 1, 2005, By Michael Cooper Manifold Labs' Plugzilla offers a compact solution for engineers taking plug-ins on the road for live performances or for DAW operators who need more... Field Test: SPL GainStation 1 Mic PreampMar 1, 2005, By Michael Cooper To call the SPL GainStation 1 a preamp may be a bit misleading, as this compact, single-channel unit includes two preamps one solid-state and the other... Field Test: Aphex Systems 1100MkII Mic PreampFeb 1, 2005, By BARRY RUDOLPH Since introduced in 1999, Aphex's 1100MkI, with its great sound and super-low noise, quickly reached a unique orbit in the vast universe of high-quality... Field Test: Mackie Digital X Bus ConsoleFeb 1, 2005, By Barry Rudolph Mackie's Digital X Bus console represents an evolutionary jump for compact, powerful and affordable mixing systems used in recording, post-production... Thermionic Culture Vulture Distortion UnitFeb 1, 2005, BY JEFF HARRIS The Thermionic Culture Vulture valve distortion unit is a strange bird. The manual's first page reads, Do not take this unit seriously. The Culture Vulture... Field Test: Audient ASP008 Microphone PreamplifierFeb 1, 2005, By Steve La Cerra A home studio's weak point often shows itself in the front end of the signal chain. For those looking for an affordable upgrade to their preamps, Audient...
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