Mackie HDR24/96 and MDR24/96 

Mar 1, 2005, By Mike Rivers

It's hard to believe, but Mackie's HDR24/96 hard disk recorder/editor has been with us for more than four years; the bargain-priced MDR24/96 (same guts...

Field Test: Tascam US-2400 Controller 

Mar 1, 2005, By Nick Batzdorf

Using a console is almost like playing an instrument, and it takes a healthy number of faders to bring that feeling to a DAW. Tascam equipped its flagship...

Field Test: Manifold Labs Plugzilla Plug-In Player 

Mar 1, 2005, By Michael Cooper

Manifold Labs' Plugzilla offers a compact solution for engineers taking plug-ins on the road for live performances or for DAW operators who need more...

Field Test: SPL GainStation 1 Mic Preamp 

Mar 1, 2005, By Michael Cooper

To call the SPL GainStation 1 a preamp may be a bit misleading, as this compact, single-channel unit includes two preamps one solid-state and the other...

Field Test: Aphex Systems 1100MkII Mic Preamp 

Feb 1, 2005, By BARRY RUDOLPH

Since introduced in 1999, Aphex's 1100MkI, with its great sound and super-low noise, quickly reached a unique orbit in the vast universe of high-quality...

Field Test: Mackie Digital X Bus Console 

Feb 1, 2005, By Barry Rudolph

Mackie's Digital X Bus console represents an evolutionary jump for compact, powerful and affordable mixing systems used in recording, post-production...

Thermionic Culture Vulture Distortion Unit 

Feb 1, 2005, BY JEFF HARRIS

The Thermionic Culture Vulture valve distortion unit is a strange bird. The manual's first page reads, Do not take this unit seriously. The Culture Vulture...

Field Test: Audient ASP008 Microphone Preamplifier 

Feb 1, 2005, By Steve La Cerra

A home studio's weak point often shows itself in the front end of the signal chain. For those looking for an affordable upgrade to their preamps, Audient...

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