Field Test: PreSonus DigiMax FSMar 1, 2007, By Jason Scott Alexander It's been six years since PreSonus launched its popular DigiMax line, and nearly four years since the DigiMax last received a facelift in the DigiMax... Field Test: Blue Sky SAT 12, Sub 15 2.1 Monitoring SystemMar 1, 2007, By Joe Hannigan You don't often associate the word with audio systems, but it's an appropriate term for Blue Sky's latest: a 2,000-watt, 300-plus-pound 2.1 midfield monitor... Field Test: SPL Passeq Passive EqualizerMar 1, 2007, By Michael Cooper Passive EQs are generally known for their natural and transparent sound. When SPL's design engineers set out to create the Passeq, one of their goals... Field Test: Trinnov SRP Surround Recording PlatformMar 1, 2007, By Kevin Becka Ever try to explain a completely new idea? Like a car that's also a tanning booth and a washing machine? Although not as crazy, that's my dilemma in explaining... Field Test: Schoeps CMIT 5 U Shotgun MicrophoneFeb 1, 2007, By George Petersen For nearly 60 years, Schoeps has been a leader in small-diaphragm microphone design, offering a dazzling array of mics and capsules to fit nearly any... Field Test: Hear Technologies Mix Back SystemJan 1, 2007, By Steve La Cerra Having trickled down from the rich and famous to the working musician, the continued popularity of in-ear monitors has created a need for high-quality,... Field Test: IK Multimedia Ampeg SVX Bass Amp Plug-InJan 1, 2007, By Barry Rudolph IK Multimedia's Ampeg SVX Bass Amp is a complete virtual bass guitar rig posing as a plug-in. SVX uses the company's DSM technology to model Ampeg bass... Field Test: Muse Research Receptor VST Plug-In PlayerJan 1, 2007, By Robert Brock In the genus of digital audio effects and instruments, there are two species: dedicated hardware devices and computer-based software tools. It's hard...
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AES 2009: Slate Pro Audio Trigger
Upgrading Studio A at Santa Barbara Sound