Field Test: Universal Audio 8110 Microphone PreampSep 1, 2005, By Kevin Becka Universal Audio is generally known these days for re-releases of its legacy analog processors such as the LA-2A and 1176, along with some newer combo... Field Test: Apple Soundtrack Pro Audio Editor/RecorderSep 1, 2005, By George Petersen When Apple first unveiled Soundtrack a few years ago, I was impressed by its ability to handle loops and audio clips to quickly create music scores for... Field Test: Sennheiser Evolution 900 SeriesSep 1, 2005, By Barry Rudolph The Sennheiser Evolution 900 Series microphones are like a new palette of colors for an engineer 10 exquisitely designed tools to enable vivid live sound... Field Test: Waves L3 Multiband Peak Limiter, MaximizerSep 1, 2005, By Michael Cooper Few plug-ins have garnered as widespread use as Waves' L1 and L2. The Waves L3 takes those plug-ins to the next performance level. The 24-bit L3 comprises... Field Test: ADAM P33A Studio MonitorsSep 1, 2005, By Joe Hannigan The ADAM P33A speakers are a downsized version of the company's popular S3A speaker and are aimed at near/mid-field monitoring applications, where powerful... Field Test: AEA R92 Ribbon MicrophoneAug 1, 2005, By Kevin Becka What? Another great affordable ribbon mic to put in the locker? And you don't have to click your heels three times and make a wish to get it? The Audio... Field Test: MindPrint EN-VOICE MK II Tube PreampAug 1, 2005, By Joe Hannigan It seems that MindPrint has the seven-year itch. Based on the success of its EN-VOICE Class-A mic preamp, which launched in 1998, the company has now... Field Test: KRK V8 Series II Active Near-Field MonitorsAug 1, 2005, By Tony Nunes For some audio engineers, choosing the right monitor can be a never-ending quest. To most, it's all about accuracy, flat response and translation at the...
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