Spectrasonics Stylus RMXDec 1, 2005, By Gabe Shadid The Stylus RMX real-time groove module combines maximum flexibility with an emphasis on sound quality when working with looped-based audio. Note, I didn't... Field Test: Groove Tubes Glory CompDec 1, 2005, By Kevin Becka In 2001, Groove Tubes established a beachhead in the high-end market with its ViPRE mic preamp, an all-tube unit with specialized features such as variable... Field Test: Joemeek oneQ Channel StripDec 1, 2005, By Tony Nunes Joemeek's new channel strip series maintains that classic Joemeek '60s midrange boost and presence, while better integrating into today's modern analog/digital... Field Test: Earthworks DK25/R DrumKitNov 1, 2005, By Steve La Cerra Getting a great drum sound is an art that lies somewhere between science and black magic, with myriad variables complicating the process. Techniques vary... Field Test: PreSonus ADL 600 High-Voltage Tube PreampNov 1, 2005, By Michael Cooper The PreSonus ADL 600 is proof that marriage is a beautiful thing. The dual-channel, all-tube preamp was designed by Anthony DeMaria of boutique tube gear... Field Test: Helios 1r Twin Type 69 Mic Pre/EQNov 1, 2005, By Barry Rudolph The Rolling Stones had a silver one in their mobile truck, The Beatles had two green ones at Apple Studios and 10cc had a red one at their Strawberry... Field Test: Apex 460 Tube MicrophoneNov 1, 2005, By Kevin Becka In a sea of inexpensive mics, there is a new contender for your dollars: the Apex 460. Squarely aimed at the engineer on a tight budget, it offers features... Propellerhead Reason 3Nov 1, 2005, By Laura Pallanck Although it's now at Version 3, Propellerhead's Reason is as easy to use as ever. However, there are a number of cool things you can do with it that go...
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