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Distributed in 94 countries, Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.

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Surround Sound Consoles 

May 1, 2001, MICHAEL COOPER

A look at some recent products and at some time-proven consoles, designed for surround sound production, in both music and sound for picture applications....

Handheld Vocal Microphones 

May 1, 2001, By Randy Alberts

Studio users spend years searching for the ultimate vintage mic, but the situation is reversed with live sound. Mics for onstage performance keep getting...

Sound Effects Libraries 

Apr 1, 2001, GARY ESKOW

Sound effects creation has changed dramatically over the years. So has the way in which effects are packaged and sold. Fragile tapes and LPs that degenerated...

Line Arrays 

Mar 1, 2001, Chris Michie

FOR THE PAST TWO DECADES, most large-scale sound systems have been configured as multicabinet typically made up of components either purchased from a...

Multichannel POWER Amplifiers 

Mar 1, 2001, Michael Cooper

The recent release of the first DVD-A titles from Warner Music Group has spurred renewed interest in multichannel amplifiers for surround sound applications....

Outboard Gear: Who Uses What, and Why? 

Sep 1, 2000, ROBERT HANSON AND CHRIS MICHIE

OUR PANEL OF EXPERTS NAME THEIR FAVORITE OUTBOARD PROCESSORS Every month, Mix devotes a large portion of its editorial pages to new product announcements...

Top-of-the-Line Mic Preamps 

Apr 1, 2000, Roger Maycock

Mic preamps are unquestionably one of the recording studio's "essential ingredients" for capturing the best sounding signal. Whether you're looking to...

IN-EAR MONITORS 

Feb 1, 2000, Mark Frink

In-Ear Monitors (IEMs) offer significant benefits for the performing musician, but they also place higher requirements on users, operators and their equipment....

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