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24/96: The New Standard in DAWs 

Mar 1, 2002, BY RANDY ALBERTS

Once upon a time, grunge was cool, the Berlin Wall came down, and 20-bit/48kHz recording was considered over the top. It wasn't long ago that 24-bit/96kHz...

Complete Control 

Feb 1, 2002, by Randy Alberts

Nothing can harness the increased horsepower of a new software release like a dedicated DAW control surface. Randy Alberts talked to more than a dozen manufacturers, and reports....

POWER To Go 

Jan 1, 2002, BY RANDY ALBERTS

Whether used in a small band's monitor rig or in a multichannel system driving large speaker arrays, a good power amplifier (or three) that can outlast...

SURROUND MONITOR SYSTEMS 

Dec 1, 2001, By Randy Alberts

No consumer format in the history of audio has succeeded so quickly as DVD, which offers attractive functions and features such as 5.1 surround sound,...

Tape Gallery sound-effects-library.com 

Sep 1, 2001, BY GEORGE PETERSEN

Anyone who creates audio using sound effects for radio or TV broadcast, video, film, video games, live theater and other applications knows the challenge...

Production Music Libraries 

Sep 1, 2001, By David John Farinella

When Mix looked at production music libraries two years ago, many houses had already instituted online audition capabilities and were anxiously awaiting...

Large-Format Touring Consoles 

Sep 1, 2001, By Randy Alberts

Today's touring and special-event productions are more complex and technically demanding than ever before. In recent years, live sound system designers...

Hot, HotHot!!! What's New in Tube Microphones 

Jul 1, 2001, by Randy Alberts

For pro and project studios alike, no instrument is quite so vital as the microphone. From Nashville to Tokyo, London to New York, money is always well...

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