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Distributed in 94 countries, Mix is the world's leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.

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Your Way, Right Away 

Sep 1, 2006, By Sarah Benzuly

Two years ago, online delivery was the name of the game. Then last year, makers of production music libraries saw advantages in putting their deliverables...

Digital Consoles 

Sep 1, 2006, By George Petersen

Digital consoles have become more feature-laden and smarter although not necessarily larger. Today's boards seemingly have the ability to pack hundreds...

Supersize My Mic 

Jul 1, 2006, By Michael Cooper

If large-diaphragm condenser mics performed identically to their small-diaphragm cousins, engineers would probably buy the behemoth versions anyway just...

Acoustic Treatment for All 

Jun 1, 2006, By Matt Gallagher

Just like life itself, audio production is grounded in balance. Great mixes translate the same sonic balance to any playback system. But in this brave...

Essentials for Going Surround 

Apr 1, 2006, By George Petersen

If you've upgraded your DAW or console lately, then you've probably got surround production on your mind or at least in your eventual plans. Other than...

Networked Amplifiers For Live Sound 

Jan 1, 2006, By Steve La Cerra

These days, just about everything from your DVD player to your coffee machine can be remote-controlled, so why not your power amplifiers? Networked communication...

Essential Equalization 

Jan 1, 2006, By Strother Bullins

EQs: We all need them, and most of us have a lot of them both in our racks and on our computers. Engineers have various criteria for choosing between...

The Vocal Channel Processor 

Nov 1, 2005, By Strother Bullins

In the pre-DAW world of music recording, a channel strip meant one thing to most engineers: one of the many narrow, vertical tactile interfaces offering...

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